#and just money being what it is

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[brick-van-dyke]

// vent

I'm tired, moody and just overall not doing great rn. I might write later to get some of these feelings out or maybe just listen to music. Either way, I'm just kind of annoyed by current circumstances overall and in general so it's hard to really do anything about how I'm feeling because it's just a whole bunch of different frustrations that have built up and none much can really be done about them.

[lazylittledragon]

i'm in one of those phases where i really wish i believed in manifesting and spellcasting and things like that bc you know when you want something so bad you're literally praying for the universe to let it happen

[bluerosefox]

Gray and Graysons

One of the Bats has a secret. Something they never told to the others.

They were so very young but they have memories of a sibling, so small and tiny. They remember the burst of warmth they had in their heart when they held the tiny baby for just a moment.

But they weren’t allowed to keep them, their family couldn’t raise them. Money was tight, just enough for three but not for four, despite their shows always bringing in a crowd it was getting harder and harder for the world to be wowed by them in the new age and their sibling was too small and tiny and needed to be cared in a single place than for them to be on the road. Their lifestyle was not good for his tiny sibling apparently.

They had to watch as their parents gave his sibling away to people in suits, them promising to give his baby brother to a loving family when they find a ‘home’ for him. He watched his parents try to be strong only for his mother to break down once the car left down the road, his father holding her and apologizing, the rest of the circus troupe all silently coming over to give the heartbroken family condolences.

Richard ‘Dick’ Grayson had tears running down his face when he last saw his baby brother.

A brother he got to name before he had to be given away.

Daniel ‘Danny’ Grayson.

-x-x-

Dick never told the others. If anyone dug deep into his past they might find his brother’s birth records maybe, if someone got around to digitizing the paperwork for him but given the fact he was placed in the US childcare systems just a few days after his birth and the fact that Dick was still pretty young they most likely believed he didn’t remember his baby brother now. Not after so many years.

But they were wrong, Dick remembers. And he kept the secret close to his heart and memories.

And the only physical evidence he had was a single picture of him holding his brother, a smile on his tiny face towards their father who had taken the photo of them together. When he had lost his parents, lost most of the things that connected him to them, to his past in the circus that had been his whole life, had been taken from him in Gotham’s ruthless childcare system, he held on tight to the picture in secret. Hid it away from anyone trying to rip it from him, hid it from Bruce when the man took him in days later, hid it from Alfred despite how gentle the butler was towards him. He couldn’t, wouldn’t risk losing his photo at the time, he hadn’t trusted anyone and by the time he did he didn’t have the heart to reveal it.

So yes, the existence of his baby brother Danny was his most guarded and best kept secret.

So that’s why Dick, as Nightwing, nearly died from a heart attack when leaving a Justice League meeting he spotted a familiar face among one of the new engineers working in the Watchtower.

It was like seeing a young version of himself. Only, Dick could see that the young man was more than a copy of him, so much more than a clone. He held many traces of John Grayson but also had a bit more of Mary Grayson than Dick did. Small details that Dick foggely remembers taking note when he had held his baby brother.

“Hey, hurry up with that report Gray!” Shouted the head engineer from down the hall, his hand beckoning the young adult to come over.

“Coming! And boss, I told you Danny is fine!” Danny shouted back before hurriedly leaving a stunned Nightwing.

[hellenhighwater]

I have a maybe silly question, but uh. How do I become a more interesting person? I have a horrible habit of staying home and not going out and doing things. How do I not do that? This feels very goofy as a thing to ask, but you appear to have an interesting life, therefore making you a reliable source. Do with this what you will, and please say hi to your creatures! Here is my mischief goblin Jammer for your troubles:

It may seem backwards, but...don't try to be interesting, try to be interested.

Find things you find engaging, and then find ways to pursue them. It's best if you can find some kind of group or community that also does the thing you want to try--if you're struggling to find things you like, then just start trying things local to you. You've probably got a local birdwatching group, or a sewing circle, or a community theater, or a historical society, or a comic shop that does game nights, or a group of regulars volunteering at an animal shelter, or stained glass classes, or a makerspace, or any number of little communities that are out there. Try them! The first meeting will be the worst. And if you hate it, you don't have to keep at it, and trying will give you a fun story. Sooner or later you will land on something you like and then...keep turning up.

And if you're not finding things local and in person, then just take up whatever strikes your fancy at home. If you could be incredible at any three hobbies, what would they be? What's stopping you from starting those hobbies? You're going to fail at them when you start but you're already failing at them now by not starting, so what do you have to lose?

Here's the thing: nobody wants to talk with someone who's just singing their own victories. The best stories are the ones where we tried something new and different and silly and strange and maybe messed it up, but had fun. And the best stories are shared--ask other people about the things they're into, be interested and engaged and maybe see if they're open to teaching you a little, if their interests seem fun to you. It's not about being interesting, it's about sharing passion.

So find the things you're passionate about, and keep at them even after you've failed, and the rest will follow.

And pet your cat, he's doing his job so well!

[skunkes]

[egophiliac]

LEON

LEON YOUR EYEBALLS

[bongosinferno]

A devastating and confusing thing about the Fallout setting, when you explore the pre-war aspects, is what the creators think about pre-war America. In the first games we only get hints of the pre-war world, but they seem to be some sort of wild fascist nation invading Canada. In Fallout 1, the first thing we're introduced to of the pre-war society is seeing a soldier shoot civilians and laughing.

Now, for the first 2 games and New Vegas we don't really know much. What we know is that there's a fascist military group known as the enclave who were a sort of US deep state even before the war, and that the government teamed up with corporate interests to preform vaguely MKULTRA-ish experiments with the Vaults. Basically, the government was an extreme version of the 50s American jingoism and McCarthyism.

This is well and dandy, I guess issues come up more when we get to the later games, especially 4, where it seems like none of this extreme plotting and societal civil unrest which would exist is seen. The society as presented in 4 also seems quite progressive, gay people are featured in the opening, and none of the baggage of say, civil rights not existing are included. Now on a baseline, I don't want settings to be more conservative, homophobic and sexist etc., but it becomes a very confusing setting when it's displayed both as this jingoist extreme thing with fascist tendencies aswell as a progressive place where everyone is seemingly equal. If you're focusing on the 50s as your setting, and American nationalism in the 50s, then you can't have McCarthyism spoofs and anti-communism as a societal paranoia norm while also general equality is the norm without misunderstanding why McCarthyism and nationalist jingoism is bad. A massive harm done in anti-communist paranoia is how it degrades and vilifies any progressive movements (women's rights, civil rights, homosexuality) as being morally un-American and therefore connected to communism. To ignore this just makes any critique of MacCarthyism and jingoism weird!

Basically, pre-war America in Fallout 4 becomes this both sides thing where America is both pure and equal and white fences in every instance that we see as the player (the intro), while also supposedly being this dystopic MacCarthyist hellscape that's broadcasting gladly about their war crimes in Canada, and wants to root out communism. I guess the only fix for this issue without getting into the fine print like they had to do is just not to focus too much on the pre-war world.

[xy-is-i]

Just thinking about Dick freaking out over losing his title of best uncle to Jason.

Dick showing up to take Lian out and give Roy a break only to hear she's having a fun day with Jason

Dick walking into the room with the toy he knows Lian really wanted, only to find out Jason got it for her first.

Dick showing up to game night at Roy's only to find Jason already there.

Just Dick getting increasingly frustrated and his rival Jason having no clue well the the rest watch on in humor and exasperation. Roy finds the who thing hilarious.

Picturing it all coming to a head when Dick is babysitting Lian and she shows him a new photo they put up. Dick all dejectivly being like, "look, it's you and your favorite uncle."

The pure shock and joy he feels when Lian tells him he wrong and her favorite uncle is "you uncle Dickie, duh!"

The door opening and Lian shouting "Papa!" As dick turns to excitedly tell Roy what Lian said only to see it's Jason who's holding Lian.

Dick just bluescreening.

[vodid]

zero's pressure

[screwpinecaprice]

I was trying to eat noodles neatly and for some reason I got sad midway. So I drew them messy eating a biscuit and a strawberry to combat sad noodle blues.

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[blueskittlesart]

hey actually i do feel like i should make this post because people are so often surprised when I mention that my instagram is monetized. any business account (you can tell that it's a business account because the bio has a subtitle labeling the type of business they are) that has over 10k followers on instagram is eligible for reels monetization and any account with over 15k is eligible for post monetization. There is no requirement to disclose whether or not any given post is monetized, and every post is monetized by default when you opt-in to monetization. be cognizant of what you see and what you like. the payout system is engagement-based and rewards ragebait and engagement farming. and if you are a small artist or content creator, DO NOT let large business accounts repost your work without compensation. they are making money off of you and hoping you won't notice.

[fatedroses]

I offer the frankly hilarious scenario of zenos and estinien having to work together (probably because of tataru) and a little bit of headcanon-ing I have in regards to the one main issue they run in to when theyre a duo.

[rustedhills]

Disney, releasing Wish: "so it's all about legacy--the new generation surpassing the old, overcoming the evils perpetuated by them, relinquishing singular power... and there's an old man in a tower, uh... animal sidekick, i guess..., ah... magic...?

Miyazaki, just out of frame, sledgehammer raised:

[notbecauseofvictories]

very strongly feel that moist/adora is the only actual romantic relationship terry pratchett ever wrote.